BEFORE WE DIVE INTO what's happening in music, my wife and I got back from a trip to South Carolina to look at houses. We found one outside of Conway, and plan to close in early September. We even checked out a popular spot in nearby Little River: Patio's, which has a Tiki Bar right on the waterfront (Intracoastal Waterway), and is also a venue for many local bands, and singers, including those in beach music.
Legendary blues venue The Stanhope House announced last week that it will close its doors, ending 50 years of music. |
ROADHOUSE BLUES: But speaking of venues, we got the sad news that one of the oldest roadhouse bars in New Jersey, The Stanhope House, suddenly shut its doors for good last week. While there were rumors that the place was going to be bought last year, it appeared that the place stayed open and hopes that things would continue. But the venue announced it was suddenly shutting down, without notice, resulting in cancelation of many further band bookings.
While many local bands played here, both original and cover, the story of The Stanhope House includes those legendary blues artists who have played here. The place had been a fixture in the New Jersey bar scene since the mid 1970's, although the building, very rustic looking, had actually been around since 1794, and has over the centuries served as everything from a stage house, a brothel, a canal house (the now-defunct Morris Canal was nearby), and a post office. Among the noted blues musicians who have played there over the years, included John Lee Hooker, Muddy Waters, Stevie Ray Vaughan, Buddy Guy, and Willie Dixon, just to name a few. More current artists like Gary Clark Jr, have also played there in recent years.
I have been there a few times, as it was in the town next to mine, and while most of the visits were to see local cover bands with friends, my wife and I did see noted Jersey artist Billy Hector there. There are several legendary stories that involve the venue, most notably the presence of two ghosts, one male, one female, and some workers claimed that they saw floating figures in a mirror.
As I mentioned, the place, given its age, had a very rustic look, and some of it was falling apart. There were reports last year of the town closing it down, or the place being put up for sale, possibly being replaced by condos. But the place seemed to survive the year, and in 2025, things continued as usual. Unfortunately, it all came to a screeching halt on July 30, when the place announced it was closing its doors immediately. Seems that the new owner called a halt, but it was unknown what its future would be.
North Jersey had been seeing a steady decline in venues like this in recent decades. There are a few left, most notably J&S Roadhouse in West Milford, but I'd be hard-pressed to name a few others. There are more modern places to play, such as Crossroads in Garwood, but the decor that the Stanhope House offered, made you feeling like you were going back in time. Colorjoy, the band out of Central Jersey that features Emily MacMahon (formerly of ScreenAge), have been playing the New York City venues this year, save for one gig at Crossroads earlier this year. I had mentioned to Emily's mother Rowena that they should do a gig at Stanhope House. But now, it looks like that'll never happen.
Since I'm moving away from the area in a few weeks, I guess it's just as well.
HOT 100: Since I last blogged, it's an eighth and ninth week for "Ordinary" by Alex Warren. While the top six songs are relatively new, the other songs that round out the top ten are stubborn to move remain. "Lose Control" is still #7, spending it's 74th week in the Top Ten, and now extending its record 102nd week on the Hot 100. I will be paying close attention in the next few weeks to see if Billboard will add a recurrent rule for a song that spends over two years and drops out of the top ten. Then again, it rarely drops below #10 these days anyway.
SNS 100: Turning to my chart, it's a fourth week at #1 for "No Rain, No Flowers" by The Black Keys. While the song is also #2 on Triple-A, it's struggling on alternative, as it drops a notch to #29 from it's peak of #28. "Sad Girl" by Rhonda McDaniel jumps from 6 to 2, and now is a threat to the top as early as next week. But the entire top five is competitive as Suki Waterhouse's "Dream Woman" (holding at #3 with a bullet), Steve Cheek's "Beach Walkin'" (5 to 4 with a bullet), and Thee Sacred Souls' "We Don't Have to Be Alone", dropping a notch to 5 but still bulleted, and all just a few points behind Ms. McDaniel.
Three big movers into the top 10 include the latest from Anna Lavigne, "Night Dreams" (14-7) and the Impact of the Week, The Tams' "My True Love" (25-10). With Jade Bird's "Dreams" moving 12 to 9, that makes three songs with the word 'dream' in that region.
Two other debuts in the top 20, aside from The Tams--Lainey Wilson's "Somewhere Over Laredo" (23-19), and Juliet Callahan's "Running Lights" (28-20). Last week's Top Debut, The Jay Vons "My Mama (She Was Right)", is this week's Mover (59-30).
NEWBIES: Again thanks to Spotify suggesting songs based on recordings that I play frequently, Bradley Denniston has the Top Debut with "HER" at #70. While other songs of his have gotten more plays, like "Bring Those Good Times Back", similar to The Jay Vons last week, I could have picked any songs of his (he's released a bunch this year alone). This is a very cool, refreshing retro-pop sound that could have come out in decades prior. It's very palatable. Denniston is not new to the industry; he has been around for quite a while, producing songs for blockbuster movies, as well as artists like Tegan and Sara, and Gotye (of the #1 song of 2012 "Somebody That I Used to Know"). He continues to work on music for motion pictures and Netflix series.
Other debuts include Turnstile's "Never Enough", a good ambiance-styled alt-pop with blaring guitars at times, Balu Brigada follows it's top 20 "So Cold" with the equally appealing "What Do We Ever Really Know". The New Zealanders have another winner here with more alt-pop delights. Kathleen Turner Overdrive had a major chart entry with "Best Dog" and they follow that with "Love At the End of the Line", which rocks up a storm, with the post-punkish vocals delivered in grand style. Finally, the latest from beach music artist Wayne Free, who follows "Tequila on Ice" with his latest, "I Love Kissin You". It's a nice, rhythmic song, with horns punctuated, with a different beat from the former hit, but just as addictive.
AS I MENTIONED about, we are in the process of moving, which gives me little time for blogging, but I will try to get in two more this month. August 23 will mark 15 years of Scenes 'n' Soundwaves, and there will either be a blog that week or a combined one from the week before. Then I will return sometime in September, to announce SNS's "Song of the Summer".
Scenes ‘n’ Soundwaves 100 Playlist
August 3, 2025
This Week |
Last Week |
ARTIST-Title |
Weeks on List |
1 |
1 |
NUMBER ONE: Album: No Rain, No Flowers (4 Weeks at #1) |
8 |
2 |
6 |
8 |
|
3 |
3 |
10 |
|
4 |
5 |
9 |
|
5 |
4 |
7 |
|
6 |
2 |
12 |
|
7 |
14 |
6 |
|
8 |
10 |
11 |
|
9 |
12 |
11 |
|
10 |
25 |
TOP 20 IMPACT OF THE WEEK: THE TAMS "My True Love" (Single Release) |
5 |
11 |
11 |
10 |
|
12 |
15 |
9 |
|
13 |
17 |
6 |
|
14 |
16 |
8 |
|
15 |
8 |
14 |
|
16 |
20 |
9 |
|
17 |
7 |
8 |
|
18 |
9 |
13 |
|
19 |
23 |
7 |
|
20 |
28 |
Juliet
Callahan - Running Lights |
5 |
21 |
26 |
6 |
|
22 |
19 |
14 |
|
23 |
24 |
24 |
|
24 |
34 |
6 |
|
25 |
13 |
18 |
|
26 |
31 |
13 |
|
27 |
21 |
16 |
|
28 |
36 |
6 |
|
29 |
30 |
10 |
|
30 |
59 |
MOVER OF THE WEEK: Album: The Word |
2 |
31 |
18 |
11 |
|
32 |
22 |
11 |
|
33 |
27 |
19 |
|
34 |
29 |
12 |
|
35 |
35 |
13 |
|
36 |
37 |
10 |
|
37 |
41 |
7 |
|
38 |
33 |
19 |
|
39 |
32 |
13 |
|
40 |
40 |
10 |
|
41 |
43 |
6 |
|
42 |
49 |
3 |
|
43 |
39 |
18 |
|
44 |
67 |
2 |
|
45 |
45 |
6 |
|
46 |
46 |
5 |
|
47 |
47 |
7 |
|
48 |
56 |
4 |
|
49 |
52 |
Ruth
Morayniss - Easy Does It |
5 |
50 |
54 |
KALEO
-Bloodline |
5 |
51 |
42 |
11 |
|
52 |
44 |
10 |
|
53 |
50 |
7 |
|
54 |
38 |
15 |
|
55 |
62 |
4 |
|
56 |
60 |
9 |
|
57 |
61 |
5 |
|
58 |
58 |
8 |
|
59 |
72 |
4 |
|
60 |
63 |
21 |
|
61 |
70 |
MT
Jones - Punching |
5 |
62 |
73 |
3 |
|
63 |
68 |
7 |
|
64 |
69 |
Easha -
Stunning |
5 |
65 |
71 |
7 |
|
66 |
55 |
8 |
|
67 |
78 |
3 |
|
68 |
48 |
19 |
|
69 |
66 |
11 |
|
70 |
--- |
TOP DEBUT: "HER" (Single Release) |
1 |
71 |
51 |
18 |
|
72 |
76 |
4 |
|
73 |
88 |
2 |
|
74 |
57 |
13 |
|
75 |
87 |
2 |
|
76 |
53 |
23 |
|
77 |
80 |
3 |
|
78 |
77 |
Psychic
Air - Phase Disintegrate |
5 |
79 |
82 |
Sonny Russell
and Cannonball Joe - Carolina Sunshine Is Calling Me |
3 |
80 |
85 |
2 |
|
81 |
64 |
14 |
|
82 |
65 |
13 |
|
83 |
79 |
8 |
|
84 |
94 |
2 |
|
85 |
--- |
1 |
|
86 |
97 |
2 |
|
87 |
--- |
1 |
|
88 |
74 |
8 |
|
89 |
--- |
1 |
|
90 |
83 |
21 |
|
91 |
90 |
3 |
|
92 |
75 |
7 |
|
93 |
81 |
4 |
|
94 |
93 |
3 |
|
95 |
--- |
1 |
|
96 |
91 |
3 |
|
97 |
99 |
10 |
|
98 |
100 |
2 |
|
99 |
84 |
15 |
|
100 |
89 |
20 |
Tremors:
101. Grace Bowers and the Hodge Podge - Going to California
Tremors: Songs which have steady or increasing points but not enough to chart on the SNS 100.
Murmurs:
Margo Price - Don't Let the Bastards Get You Down
Murmurs: Songs which are in the queue for future adds onto the Scenes ‘n’ Soundwaves 100 Playlist.
|
Songs with the greatest increase in favorite points over the prior week
●Songs garnering 25 plays on Spotify (“Scrobbles”) according to Last.Fm (effective October 2024) ▲ Songs garnering 50 plays.
Songs on the SNS 100 are included on the following public Spotify playlists
Scenes ‘n’ Soundwaves Top 40: Contains songs in positions 1-40 on the SNS 100
Scenes Up and Coming: Songs From 41-100 that are moving up the chart that have not reached the top 40
Scenes Down and Going: Song formerly in the top 40 that are descending but still on the SNS 100.
Scenes Recurrents: Songs which had been in the top 20 and/or songs on the chart 25 weeks or more, that have dropped off the SNS 100.
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